Happy AAPI Heritage Month! We’ve collected just some of our fave comics from Asian and Pacific Islander creators — keep reading to check them out!
Comics to Read for AAPI Heritage Month!
In the witch kingdom Hyalin, the strength of your magic is determined by the length of your hair. Those that are strong enough are conscripted by the Witch Guard, who enforce the law in peacetime and protect the land during war. However, those with hair judged too long are pronounced enemies of the kingdom, and annihilated. This is called a witch burning.
Witchy is a young adult graphic novel about the young witch Nyneve, who is haunted by the death of her father and the threat the Witch Guard poses to her own life. When conscription rolls around, Nyneve has a choice to make; join the institution complicit in her father’s death, or stand up for her ideals?
With her startling humor, it’s no surprise that Aminder Dhaliwal’s web comic Woman World has a devoted audience of more than 150,000 readers, updated biweekly with each installment earning an average of 25,000 likes. Now, readers everywhere will delight in the print edition as Dhaliwal seamlessly incorporates feminist philosophical concerns into a series of perfectly-paced strips that skewer perceived notions of femininity and contemporary cultural icons. D+Q’s edition of Woman World will include new and previously unpublished material.
When a birth defect wipes out the planet’s entire population of men, Woman World rises out of society’s ashes. Dhaliwal’s infectiously funny instagram comic follows the rebuilding process, tracking a group of women who have rallied together under the flag of “Beyonce’s Thighs.” Only Grandma remembers the distant past, a civilization of segway-riding mall cops, Blockbuster movie rental shops, and “That’s What She Said” jokes. For the most part, Woman World’s residents are focused on their struggles with unrequited love and anxiety, not to mention that whole “survival of humanity” thing.
Woman World is an uproarious and insightful graphic novel from a very talented and funny new voice.
In this graphic novel, Charlene is a divorced mom, has a young son named Brandon, and works full-time as a nurse while also caring for her infirm father. She is barely holding their lives together when tragedy strikes and leaves Charlene and Brandon on their own. Charlene, who has put everyone but herself first for years, sees it as an opportunity for a new start of sorts. That is, at least, until her easy-come, easy-go brother, Robbie — a well-intentioned but unserious semi-professional musician — rolls back into town after a long absence. Brandon, a good kid who aches for life to return to normal, focuses his grief on his cat, Batman, who hasn’t been seen for a few days since he ran into the sugar cane fields that lie on the edge of their housing tract.
No One Else is a graphic novel of great tender truth, as Charlene, Brandon, and Robbie learn to navigate life day to day with their plans, fears, and desires. Gorgeously drawn and set in the author’s hometown on the Hawaiian island of Maui, it is the long-awaited follow up to Johnson’s acclaimed debut graphic novel, Night Fisher, and a mature work of literary fiction that is certain to be one of the most talked-about books of the year.
George Takei has captured hearts and minds worldwide with his captivating stage presence and outspoken commitment to equal rights. But long before he braved new frontiers in Star Trek, he woke up as a four-year-old boy to find his own birth country at war with his father’s — and their entire family forced from their home into an uncertain future.
In 1942, at the order of President Franklin D. Roosevelt, every person of Japanese descent on the west coast was rounded up and shipped to one of ten “relocation centers,” hundreds or thousands of miles from home, where they would be held for years under armed guard.
They Called Us Enemy is Takei’s firsthand account of those years behind barbed wire, the joys and terrors of growing up under legalized racism, his mother’s hard choices, his father’s faith in democracy, and the way those experiences planted the seeds for his astonishing future.
What does it mean to be American? Who gets to decide? When the world is against you, what can one person do? To answer these questions, George Takei joins co-writers Justin Eisinger & Steven Scott and artist Harmony Becker for the journey of a lifetime.
The New York Times and New Yorker illustrator Jillian Tamaki is best known for co-creating the award-winning young adult graphic novels Skim and This One Summer–moody and atmospheric bestsellers. SuperMutant Magic Academy, which she has been serializing online for the past four years, paints a teenaged world filled with just as much ennui and uncertainty, but also with a sharp dose of humor and irreverence. Tamaki deftly plays superhero and high-school Hollywood tropes against what adolescence is really like: The SuperMutant Magic Academy is a prep school for mutants and witches, but their paranormal abilities take a backseat to everyday teen concerns.
Science experiments go awry, bake sales are upstaged, and the new kid at school is a cat who will determine the course of human destiny. In one strip, lizard-headed Trixie frets about her nonexistent modeling career; in another, the immortal Everlasting Boy tries to escape this mortal coil to no avail. Throughout it all, closeted Marsha obsesses about her unrequited crush, the cat-eared Wendy. Whether the magic is mundane or miraculous, Tamaki’s jokes are precise and devastating.
SuperMutant Magic Academy has won two Ignatz Awards. This volume combines the most popular content from the webcomic with a selection of all-new, never-before-seen strips that conclude Tamaki’s account of life at the academy.
The year is 1946. Teenagers Roberta and Tommy Lee just moved with their parents from Chinatown to the center of Metropolis, home to the famous hero, Superman. Tommy makes friends quickly, while Roberta pines for home. Then one night, the family awakens to find their house surrounded by the Klan of the Fiery Kross! Superman leaps into action, but his exposure to a mysterious green rock has left him weak. Can Roberta and Tommy help him smash the Klan?
Inspired by the 1940s Superman radio serial Clan of the Fiery Cross, New York Times bestselling author Gene Luen Yang (American Born Chinese, Boxers and Saints, The Terrifics, New Super-Man) and artist Gurihiru (Avatar: The Last Airbender, The Unstoppable Wasp) bring us a personal retelling of two different immigrants finding ways to belong.
An intimate and poignant debut graphic novel portraying one family’s journey from war-torn Vietnam, from Thi Bui.
This beautifully illustrated and emotional story is an evocative memoir about the search for a better future and a longing for the past. Exploring the anguish of immigration and the lasting effects that displacement has on a child and her family, Bui documents the story of her family’s daring escape after the fall of South Vietnam in the 1970s, and the difficulties they faced building new lives for themselves.
At the heart of Bui’s story is a universal struggle: While adjusting to life as a first-time mother, she ultimately discovers what it means to be a parent–the endless sacrifices, the unnoticed gestures, and the depths of unspoken love. Despite how impossible it seems to take on the simultaneous roles of both parent and child, Bui pushes through.
With haunting, poetic writing and breathtaking art, she examines the strength of family, the importance of identity, and the meaning of home. The Best We Could Do brings to life, with words and images, Bui’s journey of understanding and provides inspiration to all those who search for a better future while longing for a simpler past. It is a powerful look at one woman’s life and a war fought decades ago, but her story and the book’s message resonate remarkably today.
In Night Bus, a young woman wearing round glasses finds herself on an adventurous late night bus ride that constantly makes detours through increasingly fantastical landscapes. Meanwhile a young cartoonist returns home after art school and tries his hand at becoming a working artist while watching over his aging grandmother whose memory is deteriorating. Nostalgic leaps take us to an elementary school gymnasium that slowly morphs into a swamp and is raided by a giant catfish. Beetles, salamanders, and bug-eyed fish intrude upon the bus ride of the round-glasses woman as the night stretches on. Night Bus blends autobiography, horror, and fantasy into a vibrantly detailed surreal world that shows a distinct talent surveying his past.
Nature infringes upon the man-made world via gigantism and explosive abundance-the images in Night Bus are often unsettling, not aimed to horrify, but to upset the balance of modern life.
Zuo Ma is part of a burgeoning Chinese art comics scene that pushes emotion to the forefront of the story while playing with action and dreams.
An outrageously funny book about middle-aged women that reexamines romance, lust, and gender norms
Lee Soyeon, Myeong-ok, and Yeonjeong are all mothers in their mid-fifties. And they’ve had it. They can no longer bear the dead weight of their partners or the endless grind of menial jobs where their bosses control everything, down to how much water they can drink. Although Lee Soyeon divorced her husband years ago after his gambling drove their family into bankruptcy, she finds herself in another tired and dishonest decade-long relationship with Jongseok, a slimy waiter at a nightclub. Meanwhile, Myeong-ok is having an illicit affair with a younger man, and Yeonjeong, whose husband suffers from erectile dysfunction, has her eye on an acquaintance from the gym. Bored with conventional romantic dalliances, these women embrace outrageous sexual adventures and mishaps, ending up in nightclubs, motels, and even the occasional back-alley brawl.
With this boisterous and darkly funny manhwa, Yeong-shin Ma defies the norms of the traditional Korean family narrative, offering instead the refreshingly honest and unfiltered story of a group of middle-aged moms who yearn for something more than what the mediocre men in their lives can provide. Despite their less-than-desirable jobs, salaries, husbands, and boyfriends, these women brazenly bulldoze their way through life with the sexual vulnerability and lust typically attributed to twenty-somethings.
New series, New Avenger! With her unique combination of wit, empathy and squirrel powers, computer science student Doreen Green – aka the unbeatable Squirrel Girl – is all that stands between the Earth and total destruction. Well, Doreen plus her friends Tippy-Toe (a squirrel) and Nancy (a regular human with no powers). So, mainly Squirrel Girl. Then what hope does the Earth have if she gets hurled back in time to the 1960s and erased from history? At least Nancy will never forget her friend, but what invincible armored Avenger can she call on to help, through the magic of social media? Decades apart, can they avert doom, or will everything go wrong forever? Howard the Duck hopes not…he has an appointment for a crossover!